To all of my students — thank you.
To the incredible Peninsula Printmakers — thank you.
To the collectors who buy and appreciate my work — thank you.
To the community art groups who welcome me with open arms — thank you.
To the amazing members of the Frankston and Mornington Rotary clubs — thank you for your ongoing support.
To the Frankston Council — thank you for recognizing and uplifting my work.
To the wonderful team at the Frankston Arts Centre — thank you for championing what I do.
To my girl pals — thank you for lifting me up when life gets tough. Your care means everything.
But most of all — and this is the most important thank you --
To my husband: Thank you for loving me unconditionally, for supporting my dream of being an artist, for working so hard so that I could simply be me. You've never asked for anything more than my happiness — and that is a rare and beautiful love.
Without your unwavering support, I wouldn’t be able to thank anyone else. Now it’s my time to support you, to care for you, and to love you with the same unconditional heart. Because that’s what love truly is — it’s not just about the good times, it’s about standing together through everything.
It’s the same love I pour into my art, my children, my community — and every part of this journey.
Thank you. 😊

Billy Nye is a Mornington Peninsula–based visual artist whose bold, stylized works celebrate the everyday beauty of Australian suburbia. Working across painting, digital media, and printmaking—particularly linocuts—Nye transforms familiar scenes like rooftops, power poles, and coastlines into vibrant compositions that reflect place, memory, and cultural identity. Influenced by Howard Arkley, Jeffrey Smart, and David Hockney, she blends traditional techniques with contemporary color palettes and hand-coloring to create layered, tactile prints.
Her work is held in public and private collections across Japan, Fiji, Wales, China, Singapore, New York, and the U.S., including the Bendigo Art Gallery and the University of Florida. An active community arts advocate, Nye leads Peninsula Printmakers, a collective that supports and connects local artists through printmaking.

Billy Nye is an Australian visual artist based on the Mornington Peninsula, known for her vibrant portrayals of suburban life through painting, digital media, and especially printmaking. Her work often captures everyday sights—power poles, local beaches, and tiled rooftops—transforming them into colorful, stylized compositions that reflect the beauty of the familiar. With strong influences from artists like Howard Arkley, Jeffrey Smart, Reg Mombassa, and David Hockney, Nye’s work celebrates the overlooked charm of Australian suburbia.

Trained with a Diploma of Visual Art from Chisholm Institute and a BA in Fine Art and Visual Culture, Nye has developed a rich, multidisciplinary practice grounded in both conceptual and technical skill. Her printmaking, particularly in linocut and monoprint, forms a central part of her creative output. Nye uses traditional methods in combination with contemporary color palettes and hand-coloring techniques to create layered, tactile works that reflect a sense of place and memory.

In addition to her studio practice, Nye is an active advocate for printmaking as a community practice. She leads the Peninsula Printmakers, a collective that supports emerging artists and fosters creative exchange on the Mornington Peninsula. Her work has been widely exhibited in local galleries and public art projects, where her detailed, nostalgic, and distinctly Australian scenes continue to engage audiences across generations.

Today was Big Jac’s turn.
She’s larger, broader across the roller, and she carries her years in the weight of her frame. Just lifting her onto the bench took a moment—she’s solid steel and brass, none of that hollow stuff. Where Little Jac glides, Big Jac grounds. She presses down like she means it.
I started the same way: disassembly, a careful sort of unbuilding. Her hardware was stiff, crusted with old ink and time. I soaked the bolts, eased them free, and laid each piece out like a puzzle. It was slow work—Brasso for the brass, vinegar for the buildup, Steelo for the stubborn corners. Some parts needed more elbow grease. Others, just time and a soft cloth.
She didn’t shine at first. Big Jac’s patina was deeper, more stubborn, like she’d soaked up every studio she’d ever been in. But bit by bit, she came back. Under the muck, the metal gleamed. Her handle, worn smooth by years of grip, took on a warm luster once I rubbed in some oil and polish. She looked proud again.
But it wasn’t just about making her pretty. It was about bringing her back to work. Once she was reassembled, I ran her dry across the glass, then through some scrap newsprint. No chatter. No skip. Just a smooth, clean roll—heavy and even. That weight, that compression—it’s like she was made for this.
I kept thinking about Jacqueline while I worked. I don’t know how many prints she pulled with Big Jac, but I can feel the history in the tool. There’s something sacred about using the same roller someone else loved, someone who probably stood at a similar bench, wiping ink from the same kinds of grooves, rolling down onto paper with the same quiet satisfaction.
Now Little Jac and Big Jac sit together in the studio. One light and quick, the other deliberate and strong. Both ready.
Tomorrow, I print.

Billy Nye - Printmaker Australia

Belinda 'Billy' Nye is an Australian visual artist based on the Mornington Peninsula, renowned for her vibrant depictions of suburban life through painting, printmaking, and digital art. Her work captures the charm of everyday Australian suburbia, often highlighting familiar elements like swimming pools, power lines, and local streetscapes. Nye draws inspiration from artists such as David Hockney, Reg Mombassa, Jeffrey Smart, and Howard Arkley, who similarly celebrate the beauty in the mundane.
With a Diploma of Visual Art from Chisholm Institute and a BA in Fine Art and Visual Culture, Nye has cultivated a distinctive style that resonates with a broad audience. Her pieces have been showcased in various exhibitions, including the Main Street Open Air Gallery, where her hand-colored linocuts like "Mornington Beachside Suburbia" and "Mills Beach" have been featured .
Nye's commitment to community engagement is evident through her leadership of the Peninsula Printmakers, a collective that fosters artistic growth among emerging artists. Her dedication to portraying the essence of suburban life has earned her recognition in publications such as Peninsula Essence Magazine and Mornington Peninsula Magazine .
For more information on her work, visit her official website at belindanye.com.

Nestled along the serene coastline, the artwork titled "Mills Beach, Mornington" captures the essence of a tranquil seaside escape through the unique medium of hand-painted linocut. With its vibrant colors and intricate details, this piece invites viewers to step into a world where nature and human creativity harmoniously coexist.
The scene unfolds with a stunning landscape that showcases the gentle curves of the coastline, where the azure waters meet the rugged cliffs. The artist’s choice of color brings life to the beach boxes, each painted in soft pastels that evoke a sense of nostalgia and warmth. These charming structures stand as sentinels of summer, reminding us of lazy days spent by the shore, the sound of waves lapping at the sand, and the laughter of friends and family.
As you gaze at the artwork, the reflections in the water draw you in, creating a sense of depth and tranquility. The subtle play of light on the surface of the sea mirrors the artist's meticulous attention to detail, inviting you to explore every corner of the piece. The lush greenery that frames the beach adds a layer of vibrancy, suggesting a thriving ecosystem that flourishes in this coastal paradise.
The solitary figure walking along the shore adds a touch of introspection to the scene. It prompts us to consider our own moments of solitude and reflection, reminding us of the peace that can be found in nature. This artwork is not just a depiction of a landscape; it’s an invitation to pause, breathe, and appreciate the beauty that surrounds us.

Belinda “Billy” Nye, a Melbourne-based artist known for her depictions of Australian suburbia, received multiple awards during the 2023–2024 period. Notably, she won the “Best Other Medium” award at both the Rotary Frankston Art Show and the Rotary Mornington Art Show in 2023 . Additionally, she was honored with the Delys Sargeant Senior Achiever Award for 2022–2023 .​
In 2024, Nye participated in the “Walking Through Frankston” project, organized by the Peninsula Printmakers Group, which was awarded the Frankston Artist Project Grant .​
Her works were featured in several prominent art shows, including the Mornington Art Show, DACE Art Show, and Frankston Art Show in both 2023 and 2024 .​
For more information about her work and exhibitions, you can visit her official website belindanye.com.​

Billy is an Australian printmaker and painter based on the Mornington Peninsula. She holds a Bachelor of Arts in Fine Art and Visual Culture from Curtin University. Her work predominantly explores suburban landscapes, with a particular focus on the iconic Olivers Hill and surrounding areas.
Nye’s linocut prints offer her interpretations of favorite locations across the Mornington Peninsula and Frankston city areas. Each piece is individually hand-painted, resulting in unique characteristics and color palettes.

Beyond her printmaking endeavors, Nye is actively involved in the local art community. She operates the Peninsula Printmakers Studio, where she conducts workshops and fosters artistic collaboration. Her contributions have been recognized in publications such as Peninsula Essence and Mornington Peninsula Magazine.

Nye was also a member of the London Camera Club and previously worked as a real estate photographer in the Hamptons, New York. This experience sharpened her eye for composition and architectural forms, which now informs her detailed suburban landscapes. Her fascination with capturing the essence of homes and neighborhoods continues to shape her artistic practice, blending photography, digital painting, and traditional printmaking.

For a visual exploration of her work and ongoing projects, you can visit her official website or follow her on Instagram.

I love how my work has evolved, and it’s so deeply tied to the place I call home. Even on those rainy, gloomy days, I can’t help but feel inspired by the landscape around me. Every shift in the weather, every change in light, feeds into what I create. That’s one of the things I find so powerful about my art—it’s a direct reflection of my connection to my surroundings.
I started out in photography, and moving into printmaking felt like a natural progression. I take hundreds of photos for each piece, and in Procreate, I play around with them—adding, subtracting, shifting things around—until I feel that spark. That spark is what I’m after—the moment when everything comes together and feels true to what I want to communicate.

Even though I was accepted into university for photography in London, I chose a different path—I got married and moved to New York. Working as a real estate photographer in the Hamptons, New York was an experience that shaped me in ways I didn’t expect. It deepened my fascination with spaces, with nature, and with how the two interact. Eventually, I found my way to printmaking, and it felt like coming home.

Art is everything to me. Some pieces take months, even a year, to finish, but that’s what I love about the process. I always have multiple projects going at once, each one feeding into the next. I’m passionate about my work, and I truly believe that passion shows in every piece I create.
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The longer I create, the more I see myself doing this for the rest of my life. I want to be that artist who, despite the aches and pains of old age, keeps going—keeps creating, keeps expressing my love for this place I call home. That’s what drives me. If my art can spread even a fraction of the joy and connection I feel, then I know I’m doing something meaningful.